About
I make art because I keep finding myself in it.
Often, I recognise a feeling before I know what form it might take. I follow it through making—in the presence of another person, in an image, or in the resistance of a material.
Self-portraiture is central to this process, but it is not confined to my own likeness. Sometimes, making feels like a slow distillation: I pare away what has settled around me but does not belong to my core. Yet making does more than reveal what was already there. It can also shape the very core I am trying to recognise.
I want others to enter the work, not simply to learn a story about me. Something private can become perceptible beyond the life that produced it, without having to be explained in full.
Life & practice生活与创作
I make art to bring life back, beginning with my own. I have begun to let my life truly exist, to give my thymós—the force of feeling, desire, and courage—room to move.
After midnight, I walk with my dogs as the wind surges through the trees, sending their shadows rushing across the ground. I can feel the wild exuberance of that movement because something within me has come alive again.
With each work, I become more at ease in myself and more precise about what I want to express. My life enters my art, and my art returns to my life, changing how I see and what I am able to do. I want to keep this exchange alive: responsive to change, never fixed in a single form.
我创作，是为了把生命带回来——首先，是我自己的生命。我开始让自己的生命真正地存在，让我的 Thymós——那股感受、欲望与勇气的力量——拥有伸展与流动的空间。
午夜过后，我带着狗散步。风奔涌着穿过树林，树影在地面上疾驰。正因为我内在的生命重新活了过来，我才得以如此真切地感受到这一切运动中，那种狂放而丰沛的生命力。
随着一件件作品的诞生，我越来越能自在地做自己，也越来越清晰、准确地知道自己想表达什么。我的生活进入我的创作，我的创作又回到我的生活，改变着我看待世界的方式，也拓展着我能够感知和行动的范围。我想让这种往返始终保持活力：随境而变，永不凝固于单一的形态。